Showing posts with label Song of the Week. Show all posts
Showing posts with label Song of the Week. Show all posts

Monday, October 27, 2008

Song of the Week - 10/27/08

Song of the Week - 10/27/08: "Ball and Biscuit" - The White Stripes, Elephant, 2003


Jack White is known as one of the greatest modern guitarists, and for good reason. A perfect example is "Ball and Biscuit," which shows his technical prowess within a traditional blues style. The track is a little bit long, but it's worth it to listen through; a "slow masterpiece," if you will. If you're into blues at all, you'll be quite satisfied. And if you love guitar solos, you're in for a real treat. The verses are interspersed among three epic solos that are nothing short of mind-blowing. Enjoy.

Not bad, eh?

Monday, October 6, 2008

Song of the Week - 10/06/08

Song of the Week is a feature we'll hopefully keep active. It's exactly what the name says: each week, one of us will pick a song we've been listening to. We'll write something about it. Then, you, the reader, can listen. If you like it as much as we do, that's great. If not, there's always next week.

Song of the Week - 10/06/08: "Magic Bus" - The Who, Live at Leeds, 1970

Without a doubt, Live at Leeds is the greatest live album I've ever listened to. I think the best performance of the concert comes at the end, with "Magic Bus." In its original studio form, "Magic Bus" is a measly 3:17 in length; a cool song, but too short. That version wouldn't do for a Song of the Week. But the live performance was more than doubled to 7:54, and any constrictions of studio recording went out the window. Driven by a classic "Bo Diddley beat" (chuggity, chuggity, chuggity, chug-chug is the best way I can describe it), it rumbles along with an entertaining back-and-forth between Pete Townshend and Roger Daltrey about the price of the Magic Bus. The rendition features a couple explosions of sound as harmonica, guitar, and drums erupt at once. The only musician unhappy with the song was probably John Entwistle, whose bass was required to stay on a single note for the entirety of the song.



This song just rocks. I love the beat most of all. It gives you the image of an actual bus puttering down a lonely highway on a hot day, thick black exhaust rising to the sky. It's a fun song, and one that deserves more recognition.